LA HORA DEL BLUES
Noticias Internacionales / International Blues News

EUROPEAN BLUES CHALLENGE 2012

March 16 – 17

Kesselhaus Kulturbrauerei in Berlin
Schühauser Allee, 36
U2: Eberswalder Strasse

Schedule:

Friday March 16:

20.00 Showtime:

20:00 Ismo Haavisto Band (FI)
20:30 The Downstrokes (HR)
21:00 John F. Klaver Band (NL)
21:30 Bena & Ptaszek  (SK)
22:00 Roland Tchakounte (FR)
22:30 Marco Marchi & The Mojo Workers (CH)
23:00 Chehols (LT)
23:30 Slavek Wierzcholski i Nocna Zmiana Bluesa (PL)
24:00 Lightnin’ Guy & The Mighty Gators  (BE)

Saturday March 17:

20:00 Showtime:

20:00 Vasko The Patch (BG)
20:30 Dago Red (IT)
21:00 Slindin`Slim  (SE)
21:30 Norbert Schneider  (AT)
22:00 Rita Engedalen & Backbone (NO)
22:30 Mingo & the Blues Intruders (ES)
23:00 Ben Poole (UK)
23:30 The Blues Express (DK)
24.00 Michael van Merwyk (DE)
00.30 T. Blues Mob (GE)
01.00   End of competition
Ca. 01:10 Announcement of winner
01:15 - 01:30 Performance of winner
01:30 Jam session of all musicians (open end)

The winner of the challenge will have the chance to play on following festivals:

•Lucerne Blues Festival, Switzerland
•Blues Sur Seine, France
•Notodden Bluesfestival, Norway

All details about Accomodation and Challenge tickets at www.bluesyou.com

Don’t miss this unique European event!!! 

 

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Chicago Tribune names Alligator president and founder Bruce Iglauer A "Chicagoan of the year"

The Chicago Tribune has named Alligator Records president and founder Bruce Iglauer one of nine 2011 Chicagoans Of The Year. Iglauer's selection, made by longtime Tribune music critic Greg Kot, is the icing on the cake of Alligator's 40th anniversary celebration. The celebration kicked off in February, 2011 with the release of the 2-CD set The Alligator Records 40th Anniversary Collection. The album received rave reviews from Rolling Stone, NPR’s Weekend Edition and many more national and international outlets. In addition, Iglauer was featured in a two-part, four-hour interview on XM/Sirius B.B. King's Bluesville

Among the many other highlights of the label's 40th anniversary, one of the most significant came in June during the Chicago Blues Festival, when Iglauer received a proclamation from Chicago Mayor Rahm Emanuel. Mayor Emanuel honored Iglauer's contribution to the city's musical heritage on a night dedicated to the label's anniversary, featuring performances by blues icons Lonnie Brooks, Eddy "The Chief" Clearwater, Michael "Iron Man" Burks, Rick Estrin and Shemekia Copeland.

In October, Poland's Rawa Blues Festival hosted a 40th anniversary celebration, inviting Iglauer along with stars Lil' Ed & The Blues Imperials, Marcia Ball, C.J. Chenier and Corey Harris. Closer to home, SPACE in Evanston, IL, hosted a six-part concert series featuring Tinsley Ellis, The Siegel-Schwall Band, The Tommy Castro Band, Lonnie Brooks, Charlie Musselwhite, Michael "Iron Man" Burks and hometown favorites Lil' Ed & The Blues Imperials.

Congratulations Bruce from La Hora del Blues!!

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Bluesman Hubert Sumlin, guitarist for Howlin’ Wolf, dies at 80
BY DAVE HOESKA, Staff reporter of the suntimes

Picture: Hubert Sumlin for the fist time in Spain brought by Vicente Zumel. From left to right: Hubert Sumlin, Lolo Ortega, Louisiana Red, Vicente Zúmel and Mingo Balaguer (picture from Mingo Balaguer's collection)

Hubert Sumlin put the bite behind Howlin’ Wolf. And he then influenced a new pack of electric blues and rock guitarists.

Mr. Sumlin died Sunday in a hospital in Wayne, N.J., reportedly of heart failure. He had turned 80 on Nov. 16. Mr. Sumlin was best known as lead guitarist for Howlin’ Wolf (Chester Burnett) from 1953 until Wolf’s death in 1976.
This was no small feat. The combustible guitar parts in Wolf’s big-voiced tracks — “Smokestack Lightning,” “Spoonful,” “Ain’t Superstitious” — set Wolf on fire at Sun Records in Memphis and later at Chess Records in Chicago.
The 1953 summit of Mr. Sumlin and Wolf was to blues what the meeting of Scotty Moore and Elvis Presley was to rock just a year later.
In the current issue of Rolling Stone, Mr. Sumlin is ranked 43rd on the magazine’s list of the 100 greatest guitarists of all time. Led Zeppelin’s Jimmy Page told the magazine, “I love Hubert Sumlin. He always played the right thing at the right time.”

Stevie Ray Vaughan was a fan. In the early 1980s Vaughan gave Mr. Sumlin a vintage Rickenbacker guitar, one that Mr. Sumlin loved so much he was afraid to take out of his house.

Born in Greenwood, Miss., Mr. Sumlin was part of the great blues migration to Chicago. He and Burnett arrived in Chicago in 1953. Mr. Sumlin had been playing with James Cotton in West Memphis, and Burnett hired him in Chicago.
“We were playing Silvio’s [at Lake and Oakley], and he said, ‘You go home when you find out you’ve got my courage, then you can come back and play my songs,’ ” Mr. Sumlin told me in a 1988 interview from his South Side home. “Man, I got home and cried all night. I slept with my guitar by my head. Then about 4 o’clock in the morning something said, ‘Hey man, why don’t you put the [guitar] picks down. You ain’t got no business using picks!’ ”
At that moment, Mr. Sumliln said, he discovered his own style, which evolved into an individualistic mix of African syncopation and itemized structure that forced the notes to stand alone. Clapton once called Mr. Sumlin’s style “just the weirdest.”

Chicago blues guitarist Dave Specter began playing with Mr. Sumlin in 1985. Wolf and Paul Butterfield drummer Sam Lay had hired Specter to join him and Mr. Sumlin on a three-week tour of Canada. Specter was 22 years old. “Hubert was just the sweetest guy and very encouraging and supportive of younger players,” Specter said on Sunday. “I wouldn’t use ‘tough’ as an adjective for his playing. He had a totally unique sound. When you listen to his famous solos on [Wolf’s] ‘Hidden Charms’ or ‘300 Pounds of Heavenly Joy’ [later a hit for Chicago’s Big Twist and the Mellow Fellows], there is so much style to it. A lot of it had to do with his touch and playing with his fingers. There are lot of guitar players who played with their fingers and had a more aggressive approach, like Albert Collins. Your sound and your tone is a reflection of your personality.

“And Hubert had larger-than-life charm and devilishness.”

In recent years Mr. Sumlin relocated from Chicago and then Milwaukee to Totowa, N.J. Specter last saw Mr. Sumlin in 2009, when he was touring with the Nighthawks and they appeared at S.P.A.C.E., the popular Evanston music room that Specter co-owns.

In 2010 young guitarist Kenny Wayne Shepherd and Mr. Sumlin received a best contemporary blues album Grammy nomination for “Live! in Chicago.” Mr. Sumlin was also nominated for Grammys in 1998, 1999 and 2005 in best traditional blues album categories. He never won.

Mr. Sumlin’s patience likely came from his years of traveling with Burnett.
“Once we were on the road for three months and I had to drive because Eddie Shaw [the saxophonist who became Wolf’s bandleader] wasn’t with us,” Mr. Sumlin said in 1988. “I had to set up the instruments, load the instruments. And nobody would help with nothin’. We were at Silvio’s and we were beat. I was sitting up at a table and the folks hadn’t even walked in yet. Wolf was tired and just hauled off and hit me. I hit him back. We both knocked each other’s teeth out. And the whiskey went upside the wall. I figure we tore down about $1,800 or $1,900 worth of whiskey displays.

“Yes sir.”

Mr. Sumlin had been scheduled to appear at last summer’s Chicago Blues Festival with David “Honeyboy” Edwards in a tribute to Robert Johnson. They canceled their appearances because of health issues. Edwards died at age 95 on Aug. 29.

Mr. Sumlin had a lung removed in 2004 and last year appeared at the Crossroads Guitar Festival with his oxygen tank. Earlier this year the New York Times reported that Keith Richards was assisting Mr. Sumlin with his medical bills. Richards was a guest on Mr. Sumlin’s 2005 Grammy-nominated “About Them Shoes.”

The Rolling Stones’ Mick Jagger and Keith Richards will pay for the funeral of blues great Hubert Sumlin.
Sumlin’s partner Toni Ann has posted, “I just wanted to share with you, Hubert’s loving fans, that Mick Jagger and Keith Richards have insisted on picking up the full expenses for Hubert’s funeral. God Bless the Rolling Stones”.
A private service will be held in Homewood, Illinois on December 13. A public service for fans will be held on December 12 at 10am at the Festa Memorial Funeral Home in Totowa, New Jersey. There will also be a public viewing at the funeral home on December 11 between 2 and 4pm and 7 and 9pm.
Mick Jagger said today, “Hubert was an incisive yet delicate blues player. He had a really distinctive and original tone and was a wonderful foil for Howlin’ Wolf’s growling vocal style. On a song like “Goin’ Down Slow” he could produce heart-rending emotion, and on a piece like “Wang Dang Doodle” an almost playful femininity. He was an inspiration to us all.”
In announcing his death, Toni Ann said in a statement, “It is with a heavy heart that the worse has come to fruition. My little Hubert is living the life of a real angel. I’m overwhelmed with grief and so I really need to pull myself together. I’d really appreciate it if you would kindly respect our privacy during this most difficult time.“I love you Hubert. You are eternally etched in my heart. And my life is not only richer and blessed for who you’ve been to me, but the world over. And I will never be the same because of you. May you be forever in God’s beautiful grace.
“I’ll spend the rest of my days loving and cherishing all you are and were to me”.

Vicente Zúmel brought Hubert Sumlin for the first time to play in Spain together with Louisina Red at the Cerdanyola Blues Festival. Rest in Peace

 

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From The Blues Foundation:
The 2012 Keeping the Blues Alive Awards recipients are:


Agent:                                         Rodgers Redding - Macon, Georgia
Club:                                            Red's Lounge - Clarksdale, Mississippi
Education:                                  Dan Treanor - Arvada, Colorado
Festival-US:                               White Mountain Boogie 'N Blues Festival - North Thornton, New Hampshire
Festival-International:            Rawa Blues Festival - Katowice, Poland
Film, Television and Video:     Treme, David Simon and Eric Overmyer, Executive Producers - New Orleans, Louisiana
International:                             Mike Lecuyer - Saint Michel de Montaigne, France
Journalism:                                 Scott Barretta - Oxford, Mississippi
Literature:                                   Life by Keith Richards - New York, New York
Manager:                                     Toni Ann Mamary - Totowa, New Jersey
                                            Organization:                             Blues Society of Western New York - Buffalo, New York
                                            Photography:                             Aigars Lapsa - Riga, Latvia
                                            Print Media:                                Soul Bag - Clichy, France
                                            Promoter:                                   George Wein -New York, New York
                                            Radio: Commercial:                  Ted Todd-KKZX-FM - Spokane, Washington
                                            Radio: Public:                             Harvey Stauffer-WVPE-FM - Elkhart, Indiana
                                            Record Label:                             Severn Records - Annapolis, Maryland

Congratulations to all!
 

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ALLIGATOR RECORDS SIGNS VOCALIST/HARMONICA ICON CURTIS SALGADO

Alligator Records announces the signing of soul singer/songwriter/harmonica icon Curtis Salgado. Salgado, winner of the Blues Music Award for 2010 Soul Blues Artist Of The Year, will release his label debut in Spring of 2012. Blues Revue says, "Salgado is one of the most down-to-earth, soulful, honest singers ever, and his harmonica work is smoking and thoroughly invigorating. He plays rollicking soul-rock...funky and electrifying." Salgado tours constantly, and is among the most energetic performers in the blues world. Originally from Everett, WA, Salgado grew up in Eugene, OR. He was featured vocalist of the original Robert Cray Band and later spent time as lead vocalist with Roomful of Blues and Santana. He has released a total of seven solo albums and has built a legion of fans worldwide. In 2008 Salgado overcame serious health issues and has returned stronger than ever.

TWO ALLIGATOR ARTISTS NOMINATED FOR BLUES BLAST MAGAZINE AWARDS
Harmonica giant Charlie Musselwhite and soul/R&B singer Janiva Magness have been nominated for Blues Blast Magazine Awards. Musselwhite received two nominations, Magness received one.
Winners will be announced at the
Blues Blast Awards Show on October 27, 2011 at Buddy Guy's Legends, 700 S. Wabash, Chicago, IL.

ALLIGATOR RECORDS SIGNS GUITAR, SINGER AND SONGWRITER JOE LOUIS WALKER
Alligator Records is pleased to announce the signing of celebrated guitarist/vocalist/songwriter, Joe Louis Walker, the man Blues Revue called "one of contemporary blues' most dynamic and innovative musicians, who releases consistently exciting music. No matter what he's singing, Walker's approach is soulful, heartfelt and spellbinding." According to Living Blues, he is "one of today's modern musical masters." Walker's Alligator debut will be released in January of 2012.Alligator president Bruce Iglauer is thrilled to have Walker on board. "Joe Louis Walker is one of the most exciting and passionate bluesmen of his generation. He's a major talent whose music speaks to both blues and rock fans. We're excited to help bring his music to a larger audience than ever."And Walker's in full agreement. "Alligator has clearly been one of the most important blues labels of our time and I am proud to say that I am an Alligator artist. I look forward to being part of the Alligator family."

Over his 27-year career, Walker has released 24 albums and toured worldwide. He won four Blues Music Awards, including the 2010 Album Of The Year Award for Between A Rock And A Hard Place (Stony Plain Records), and has been nominated for 43 more. He's also recorded as a guest with some of the blues world's best-known artists, including appearances on Grammy-winning records by B.B. King and James Cotton.

Joe Louis Walker was born in the Fillmore district of San Francisco on December 25, 1949. By the time he was 16, he was working the local club scene steadily as an in-demand guitar player. When Walker was 19 he befriended famed guitarist Michael Bloomfield. Bloomfield introduced Walker to many of the day's top rockers and helped push Walker's blues into a more rock-fueled direction. The two were close friends until Bloomfield's death in 1981.

In 1985 Walker released his debut, Cold Is The Night, on Hightone Records, his first of many outstanding albums. Firmly rooted in blues, gospel, R&B and rock, the album caught the attention of music fans everywhere. Over the course of the next 26 years, with each subsequent release, Walker's audience continued to grow, as his touring schedule continued to expand. He's played major European festivals, including Northsea Jazz Festival, Glastonbury, Notodden and Montreux, as well as festivals in Japan, Australia, Taiwan, Ireland, Turkey and Brazil. He's appeared on national television, including performances on Late Night With Conan O'Brien, The Don Imus Show and Later With Jools Holland in the UK.

Fans and critics have been celebrating Walker for years. Living Blues said, "His fretwork is indelibly stamped with his own trademark blend of emotional heat and impeccable precision -- even at his most flamboyant, Walker sounds as if he's playing ideas, not just notes."

The New York Times raved, "Walker is a singer with a Cadillac of a voice. He delivers no-nonsense, gutsy blues. His voice is weather-beaten but ready for more; his guitar solos are fast, wiry and incisive, moaning with bluesy despair."

 

 

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DONATIONS AND HELP REQUESTED FOR FOUNDIN LIVING BLUES EDITOR, JIM O'NEAL

I am passing this on from a post from Mary Katherine Aldin

Message:

I do not usually do this, but a circumstance has arisen which is important enough to me that I will go public in asking for your assistance.

My very close friend of over 35 years, Jim O'Neal, is fighting cancer and is in financial straits. Details are in the Facebook post by Janice Monti which I am copying and pasting below. Jim, as we all know, is the Founding Editor of Living Blues Magazine, and without his pioneering work many of us would not be where we are today. Jim is a single parent with two young children and has been unable to work since the surgery and chemotherapy. Even if the shows listed areot local for you, if it is possible for you to make a donation in any amount, the instructions for mailing a check, sending PayPal and what not are at the end of the post below.

THE JIM O'NEAL BENEFIT CONCERT SERIES Living Blues founding editor Jim O'Neal has been diagnosed with lymph cancer and is currently undergoing treatment. Like many in the blues world, Jim has no health insurance. A series of benefit concerts is being pulled together to raise money to assist in paying the mounting bills.

OCT. 20 SURF CLUB, HYATTSVILLE, MARYLAND With Memphis Gold and others
OCT. 28 KNUCKLEHEADS, KANSAS CITY, KANSAS Kenny Neal, Memphis Gold and others
NOV 19 (date is tentative) BUDDY GUY'S LEGENDS, CHICAGO, ILLINOIS Kenny Neal, Memphis Gold, Eddie Clearwater, Eddie Shaw, Billy Branch, Elmore James Jr., Nora Jean Bruso and others

For anyone wanting to make a direct contribution to assist Jim and his family, a fund has been set up at Commerce Bank in Kansas City.

Checks may be sent to: Jim O'Neal Blues Fund, P.O. Box 10334, Kansas City, MO 64171. You can also donate at
www.paypal.com to the account onealbluesfund@aol.com For further details and confirmations of time and artists, please check www.Stackhouse-Bluesoterica.blogspot.com


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RIP Willie "Big Eyes" Smith - January 19, 1936 to Sept 16th, 2011.
It is with great sadness that we report the unexpected passing of one the true greats of the blues. Willie "Big Eyes" Smith. Willie passed away this morning of a stroke. He was 75 and was musically active until the very end. A brilliant drummer, harmonica player and vocalist, he represented the true essence of Chicago Blues, and was highly regarded by all as an un
disputed master. He was an alumni of the Muddy Waters band and wore those stripes with honor. 

Willie "Big Eyes" Smith was born in Helena, Arkansas in 1936, and started playing harmonica at age 17, shortly after moving to Chicago. His harmonica first appeared on record in the 1950s gracing recordings by Arthur "Big Boy" Spires, and Bo Diddley (Willie played the harmonica on the Diddley classic "Diddy Wah Diddy").
At some point in the mid to late 1950s he started playing drums and in 1959 began his long association with Muddy Waters. Smith's drumming first appeared on record on
Muddy Waters' 1960 album release of Sings Big Bill Broonzy. Smith had a real gift for drumming and his playing would help to define the later Muddy Waters Band sound. Many of us remember the classic Muddy Waters lineup of Muddy, Willie, Pinetop Perkins, Bob Margolin, Luther "Guitar Junior" Johnson, and Calvin "Fuzz" Jones.

In June of 1980 members of Muddy's band struck out on there own, and formed the Legendary Blues Band which eventually found Willie as the lead vocalist, showcasing his stellar, down-home vocals. Willie released his first solo album, Bag Full of Blues in 1995, which firmly established him as an artist in his own right.

Willie would revive his first instrument in later years, and in 1996 he would release Way Back, which debuted his new direction, and showed him to be a solid harmonicist. His final recording, Joined At The Hip was a collaboration with the now deceased Pinetop Perkins, and it it earned the two a
Grammy in the Traditional Blues category. We have just touched upon a few of the many recordings of Willie "Big Eyes" Smith who's discography as both a frontman, and a sideman represents the highest of heights in the blues. Willie had a strong work ethic and was a consummate professional, and as a result he worked relentlessly. He won numerous BMAs (Blues Music Awards) as "Best Blues Drummer", and he always carried great bands with him. Of note is the wonderful management of Patricia Morgan, who helped guide the later part of Willie's amazing career, and the impressive booking of Blue Mountain Artists. Also thanks to Willie for bringing out the wonderful talent in his band with Jimmy Mayes, Bob Stroger, "Little" Frank Krakowski, and for his wonderful collaborations with other Muddy alums. Willie leaves his greatest legacy with his son Kenny "Beedy Eyes" Smith, who has become one of the world's greatest blues drummers and carries on his father's sound and tradition. Prayers for all of Willie's family, friends, fellow musicians, and fans as we say goodbye to one of the greatest blessings of the blues. We love you "Big Eyes". To visit Willie "Big Eyes" Smith's website click http://www.williebigeyessmith.com-

Willie "Big Eyes' Smith funeral services announced. This just in from the Smith family about Willie "Big Eyes" Smith's services:
Sunday, September 25, 2011. Visitation 10 AM to 10 PM. Leaks & Sons Funeral Home
http://www.leakandsonsfuneralhomes.com/ 7838 South Cottage Grove,  Chicago, IL 60619  Ph:773-846-6567
 
Monday, Sept 26, 2011. Wake 10am until 11am
Funeral services 11am until noon. South Park Baptist Church
http://southparkbaptistchurch.com/ 3720 S. King Drive, Chicago, IL 60653 Ph. 773) 548-6566 (source Bob Corritore)

Our condolences to all his family and relatives (Vicente & Roser Zúmel)


Willie "Big Eyes" Smith & Vicente Zúmel
Willie "Big Eyes" Smith, Roser Zúmel & Kenny Smith

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Honeyboy Edwards dies at 96
August 29th. 2011

Word has reached us of the death of the last of the Mississippi Delta bluesmen, David "Honeyboy" Edwards. According to a front page post on his website, the beloved blues artist passed away quietly in his sleep in the early morning hours of Monday, August 29th, 2011.

It was just two weeks ago that we reported on Edwards' retirement due to health issues, and his manager, Michael Frank of Earwig Music, had canceled the bluesman's full slate of scheduled summer performances. Edwards' last gig was in April at the Juke Joint Festival in Clarksdale, Mississippi. At 96 years old, Edwards was the last of the original Mississippi Delta bluesmen, and a direct link to fellow Delta legend Robert Johnson. As a youth, Edwards also traveled with, learned from, and performed alongside such giants as Charley Patton, Big Joe Williams, and Tommy Johnson.

Edwards' career began in earnest in 1942 when he was recorded by musical historian Alan Lomax for the Library of Congress. In the almost 70 years since his first field recordings, Edwards has released music for a wide variety of labels, including Chess Records, Sun Records, Evidence, Folkways, and most notably, his lengthy tenure with Earwig Music, which resulted in a handful of acclaimed albums, including his Blues Music Award nominated 2008 album, Roamin' and Ramblin'. Through the years, Edwards has earned two Grammy™ Awards, a pair of Blues Music Awards, and was inducted into the Blues Hall of Fame.

Visitation for Edwards will be held on Thursday, September 1st from 6:00pm until 9:00pm at the McCullough Funeral Home at 851 E. 75th Street in Chicago. The bluesman will be buried on Friday in a private service.

(Photo by Bengt Nyman)

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Jerry Leiber dies at 78
July, 22nd. 2011


Jerry Leiber, the lyricist who, with his partner, Mike Stoller, wrote some of the most enduring classics in the history of rock ’n’ roll, including “Hound Dog,” “Yakety Yak,” “Stand By Me” and “On Broadway,” died on Monday in Los Angeles. He was 78. The cause was cardio-pulmonary failure, said Randy Poe, president of Leiber & Stoller Music Publishing.

The team of Leiber and Stoller was formed in 1950, when Mr. Leiber was still a student at Fairfax High in Los Angeles and Mr. Stoller, a fellow rhythm-and-blues fanatic, was a freshman at Los Angeles City College. With Mr. Leiber contributing catchy, street-savvy lyrics and Mr. Stoller, a pianist, composing infectious, bluesy tunes, they set about writing songs with black singers and groups in mind.

In 1952, they wrote “Hound Dog” for the blues singer Big Mama Thornton. The song became an enormous hit for Elvis Presley in 1956 and made Leiber and Stoller the hottest songwriting team in rock ’n’ roll. They later wrote “Jailhouse Rock,” “Loving You,” “Don’t,” “Treat Me Nice,” “King Creole” and other songs for Presley, despite their loathing for his interpretation of “Hound Dog.”

In the late 1950s, having relocated to New York and taken their place among the constellation of talents associated with the Brill Building, they emerged as perhaps the most potent songwriting team in the genre.

Their hits for the Drifters remain some of the most admired songs in the rock ’n’ roll canon, notably “On Broadway,” written with Barry Mann and Cynthia Weil. "Spanish Harlem," which Mr. Leiber wrote with Phil Spector, gave Ben E. King his first hit after leaving the Drifters. Mr. King's most famous recording, "Stand By Me," was a Leiber-Stoller song on which he collaborated. They wrote a series of hits for the Coasters, including “Charlie Brown,” “Young Blood” with Doc Pomus, “Searchin’,” “Poison Ivy” and “Yakety Yak.” “Smokey Joe’s Cafe,” a 1954 hit written for the Robins, became the title of a Broadway musical based on the Leiber and Stoller songbook. In 1987, the partners were inducted into the Rock & Roll Hall Of Fame. “Jerry Leiber and Mike Stoller have written some of the most spirited and enduring rock ’n’ roll songs," the hall said in a statement when they were inducted. “Leiber and Stoller advanced rock ’n’ roll to new heights of wit and musical sophistication.”

Jerome Leiber was born on April 25, 1933, in Baltimore, where his parents, Jewish immigrants from Poland, ran a general store. When Jerry was 5, his father died and his mother tried, with little success, to run a small store in one of the city’s worst slums. When he was 12, she took him to Los Angeles.

It was while attending Fairfax High in Los Angeles and working in Norty’s Record Shop that he met Lester Sill, a promoter for Modern Records, and confessed that he wanted to be a songwriter. After Sill urged him to find a pianist who could help him put his ideas onto sheet music he met Mr. Stoller through a friend, and the two began writing together “Often I would have a start, two or four lines” Mr. Leiber told Robert Palmer, the author of “Baby, That Was Rock & Roll: The Legendary Leiber and Stoller” (1978). “Mike would sit at the piano and start to jam, just playing, fooling around, and I’d throw out a line. He’d accommodate the line — metrically, rhythmically.”

Within a few years they had written modestly successful songs for several rhythm-and-blues singers: “K.C. Lovin’ ” for Little Willie Littlefield, which under the title “Kansas City” became a No. 1 hit for Wilbert Harrison in 1959.

In 1952, Sill arranged for Mr. Leiber and Mr. Stoller to visit the bandleader Johnny Otis and to listen to several of the rhythm-and-blues acts who worked with him, including Big Mama Thornton, who sang “Ball and Chain” for them. Inspired, the partners went back to Mr. Stoller’s house and wrote “Hound Dog.” “I yelled, he played,” Mr. Leiber told Josh Alan Friedman, the author of “Tell the Truth Until They Bleed: Coming Clean in the Dirty World of Blues and Rock ’n’ Roll” (2008). “The groove came together and we finished in 12 minutes flat. I work fast. We raced right back to lay the song on Big Mama.”

In 1953 they formed Spark Records, an independent label, with Sill, but without national distribution it failed to score major hits. Atlantic Records, which had bought the Leiber and Stoller song “Ruby Baby” and “Fools Fall in Love” for the Drifters, signed them to an unusual agreement that allowed them to produce for other labels. The golden age of Leiber and Stoller began. Their seemingly endless list of hit songs from this period included “Love Potion No. 9” for the Clovers (later a hit for the Searchers).

In the mid-1960s, Mr. Leiber and Mr. Stoller concentrated on production. They founded Red Bird Records, where they turned out hit records by girl groups like the Dixie Cups (“Chapel of Love”) and the Shangri-Las (“Leader of the Pack,” “Walking in the Sand”).

They sold the label in 1966 and worked as independent producers and writers. Peggy Lee, who had recorded their song “I’m a Woman” in 1963, recorded “Is that All There Is?” in 1969.

Mr. Leiber is survived by three sons, Jed, Oliver and Jake, and two grandchildren.

With Mr. Stoller and David Ritz, Mr. Leiber wrote a 2009 memoir, “Hound Dog: The Leiber & Stoller Autobiography.”

(Source: The New York Times)

 

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Living Blues Awards
2011 – 18th Annual - Living Blues Awards

Critics’ Poll
Blues Artist of the Year (Male):James Cotton
Blues Artist of the Year (Female): Mavis Staples
Most Outstanding Blues Singer: Mavis Staples
Most Outstanding Musician (Guitar): Lurrie Bell
Most Outstanding Musician (Harmonica): James Cotton
Most Outstanding Musician (Keyboard): Pinetop Perkins
Most Outstanding Musician (Bass): Bob Stroger
Most Outstanding Musician (Drums): Kenny Smith
Most Outstanding Musician (Horns): Eddie Shaw
Most Outstanding Musician (Other): Major Handy - Accordion
Best Live Performer: Lil’ Ed & the Blues Imperials
Comeback Artist of the Year: James Kinds
Artist Deserving More Attention: The Relatives

Best Blues Albums of 2010
Album of the Year: James Cotton – Giant – Alligator Records
New Recordings/ Southern Soul: Denise LaSalle – 24 Hour Woman – Malaco Records
New Recordings/ Best debut: James Kinds – Love You From The Top – Delmark Records
New Recordings/ Traditional & Acoustic: Eric Bibb – Booker’s Guitar – Telarc Records
New Recordings/Contemporary Blues: Kenny Neal – Hooked On Your Love – Blind Pig
Historical: Junior Wells – Live In Boston 1966 – Delmark Records

Blues Book of the Year: Scott Barretta and Ken Murphy – State Of The Blues – Proteus Publishing

Readers’ Poll
Blues Artist of the Year (Male): Buddy Guy
Blues Artist of the Year (Female): Marcia Ball
Best Blues Album of 2010 (New Release): Buddy Guy – Living Proof – Silvertone/Jive
Best Blues Album of 2010 (Historical Recording): Dinah Washington - The Fabulous Miss D! The Keystone, Decca, & Mercury Singles 1943-1953 - Verve/Mercury/Hip-O Select
Best Blues DVD of 2010: Albert King with Stevie Ray Vaughan - In Session - Stax Records
Most Outstanding Musician (Guitar): Buddy Guy
Most Outstanding Musician (Harmonica): Charlie Musselwhite
Most Outstanding Musician (Keyboard): Marcia Ball
Best Live Performer: Buddy Guy
Most Outstanding Blues Singer: Buddy Guy


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Junior Wells / Hoodoo Man Blues Deluxe Edition to be released on Delmark Records
The Chicago based Delmark Records will bless the world with an in-depth re-examination of a timeless masterpiece! The release date is August 16. Here is the Delmark press release:"Hoodoo Man Blues" is considered by most blues aficionados and fans to be one of the best blues albums of all time. It was inducted into the Grammy Hall of Fame and was chosen by the readers of Living Blues Magazine as a top ten Desert Island Blues disc. Recorded on September 22 & 23, 1965,"Hoodoo man Blues" was the first studio album to capture a working Chicago blues band doing essentially what they did on stage without time constraints to accommodate the singles market. Of course both Junior Wells & Buddy Guy went on to become international blues stars. This new digipak re-issue contains 17 performances: the 12 songs from the original LP, 3 alternates that have been available on CD plus 4 never-before released performances. There’s one completely unissued song, “I Ain’t Stranded,” and 3 alternate takes to “Yonder Wall” in which Buddy Guy is playing through the Leslie speaker as he did on the title track, something guitar players are still copying to this day. The new four-panel digipak and 16-page booklet package contains eight never-before-seen photos from the recording session. 60 minutes long (15 minutes longer than the last version)
.

Delmark Records reedita "Hoodoo Man" del legendario Junior Wells.
La compañía Delmark Records de Chicago ofrecerá a todos los buenos aficionados una profunda y cuidada revisión de una obra maestra. La fecha previsa de publicación es el 16 de agosto de 2011. A continuación reproducimos la nota de prensa editada por Delmark: "Hoodoo Man Blues" está considerado por la mayoría de los aficionados al blues como uno de los mejores discos de blues de todos los tiempos. Incluído en el Salón de la Fama de los Premios Grammy, también fue elegido por los lectores de la revista Living Blues como uno de los diez mejors discos del Desert Island Blues. Grabado el 22 y 23 de septiembre de 1965, "Hoodoo Man Blues" fue el primer álbum realizado en estudio que consiguió capturar el sonido y el trabajo de una banda de blues de Chicago, tocando básicamente de la misma forma que lo hacían en directo sobre el escenario de cualquier club de Chicago, sin las limitaciones de tiempo que requerían la publicación de las canciones en singles. Por supuesto, tanto Junior Wells y Buddy Guy se convirtieron en auténticas estrellas internacionales de blues. Esta reedicion en formato digipack contiene 17 cortes: las 12 canciones del LP original, tres bonus tracks, disponibles otros cds, más 4 temas que no habían sido publicados con anterioridad. También se encuentra una canción inédita "I Ain't Stranded", y tres tomas alternativas de "Yonder Wall" en la que Buddy Guy toca a través de un amplificador Leslie, al igual que en el tema que da titulo al disco y que muchos de los guitarristas actuales todavía siguen copiando. Este nuevo digipak consta de cuatro paneles y de un libreto de 16 páginas con ocho fotos inéditas pertenecientes a aquellas sesiones de grabación paquete folleto contiene ocho nunca antes visto fotos de la sesión de grabación. La duración es de 60 minutos (15 minutos más que la versión anterior).

 

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New documentary about the Mississippi Juke Joint Tradition
A new DVD celebrating the Delta’s down-home blues tradition called We Juke Up In Here: Mississippi’s Juke Joint Culture at the Crossroads, is now available. Producers Jeff Konkel of Broken & Hungry Records and Roger Stolle of Cat Head Delta Blues & Folk Art reunite for a second adventure, after the success of their prior film "M For Mississippi". This time around they explore what remains of Mississippi’s once-thriving juke joint culture with interviews, live club performances and an intimate look at Mississippi blues. For more information, a promotional trailer, and to order this film, please visit the website at http://www.wejukeupinhere.com


Nuevo documental sobre los Juke Joints del Mississippi
.
Acaba de publicarse un nuevo DVD titulado "We Juke Up In Here: Mississippi's Juke Joint Culture At The Crossroads". Este DVD en forma de documntal, recoge una nueva parte de la tradición 'down-home' del delta del Mississippi. Producido por Jeff Konkel, de roken & Hungry Records y Roger Stolle de Cat Head Delta Blues & Folk Art, y animados por el éxito de su primer documental titulado "M For Mississipi", se han vuelto a reunir de nuevo para explorar e indagar lo que queda de la cultura de los en otra época florecientes juke-joints del Mississippi. La película ofrece entrevistas, actuaciones en directo en diversos clubs y una mirada íntimista al blues del Mississippi. Para más información, solicitud de material promocional, o compra dirigirse a http://www.wejukeupinhere.com

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2011 BLUES MUSIC AWARDS WINNERS.
The 32nd Blues Music Awards took place on Thursday May 5, 2011 at the Cook Convention Center in Memphis, Tennessee.The Presenting Sponsor for the 32nd Blues Music Awards is The Gibson Foundation. The Sustaining Sponsor is I 55 Productions.
Major funding is provided by ArtsMemphis and the Tennessee Arts Commission.
The 32nd Blues Music Awards were also sponsored by Blue Mountain Artists, BMI, Catfood Records, Eagle Rock Entertainment, FedEx, First Tennessee Foundation, Global Electronic Technology, Legendary Rhythm & Blues Cruise, Memphis Convention and Visitors Bureau, the Sierra Nevada Brewing Company and Sony/Legacy Records.
Once again, The Blues Music Awards were broadcasted live in their entirety on Sirius XM's B.B. King's Bluesville. They will be broadcast on public television later in the year.
The 2011 show followed the format of the critically-acclaimed shows of recent years. More than 65 nominees attended and the night was filled with their appearances and performances in a cabaret setting in the Convention Center's ballroom.
The event brought together Blues performers, industry representatives and fans from all over the world to celebrate the best in Blues recordings and performances from the previous year. Each year, the Foundation present The Blues Music Awards to the artists selected by its members. They are universally recognized as the highest honor given to Blues artists. As always, a pre-party immediately preceded the Awards.
The Blues Hall of Fame Induction Ceremony and Charter Members' Dinner held the night before on Wednesday, May 4.
Here is the winners list:

La 32 edición de los Blues Music Awards se celebró el jueves 5 de mayo de 2011 en el Centro de Convenciones Cook en Memphis, Tennessee.The Patrocinador Presentador de la edición de este año ha sido la Fundación Gibson. El Patrocinador general ha sido 55 Producciones. La mayor parte de la finanaciación ha corrido a cargo de ArtsMemphis y la Comisión de las Artes de Tennessee.
Los premios también han sido patrocinados por Blue Mountain Artistas, IMC Records Catfood, Eagle Rock Entertainment, FedEx, First Tennessee Foundation, Global Electronic Technology, Legendary Rhythm & Blues Cruise, Memphis Convention and Visitors Bureau, Sierra Nevada Brewing Company y Sony/Legacy Records.
Una vez más, los Blues Music Awards se transmitió en directo en su totalidad en Sirius XM Bluesville BB King's. También será ofrecido por la televisión pública a finales de año.
El programa de la edición 2011 siguió el formato de los últimos años. Más de 65 candidatos estuvieron presentes en la gala, con actuaciones y presentaciones en un ambiente de sala de fiestas en el gran salón del Centro de Convenciones.
El evento reunió a artistas de blues, representantes de la industria y fans de todo el mundo congregados para disfrutar de lo mejor, tnto de actuaciones como de grabaciones, del blues en el año 2010. Cada año, la Blues Foundation presenta a los candidatos a recibir los Blues Music Awards y que han sido seleccionados por los miembros de la Fundación. Estos premios son universalmente reconocido como el más alto honor otorgado a los artistas de blues. Como siempre, una gran fiesta precedió a la entrega de premios.
El Ceremonia de Presentacion del Blues Hall of Fame así como la cena de los Charter Member's tuvo lugar la noche anterior.
¡Felicidades a todos los ganadores y a la Blues Foundation por su labor!
A continuación se incluye la lista de ganadores:


Traditional  Blues Album: Pinetop Perkins & Willie 'Big Eyes' Smith, Joined At the  Hip
Contemporary Blues Male Artist: Buddy Guy
Contemporary Blues  Album: Buddy Guy, Living Proof
Traditional Blues Male Artist: Charlie  Musselwhite
Soul Blues Female Artist: Irma Thomas
Soul Blues  Male Artist: Solomon Burke
Soul Blues Album: Solomon Burke, Nothing's  Impossible
Contemporary Blues Female Artist: Robin  Rogers
Acoustic Artist: John Hammond
Album: Buddy Guy, Living  Proof
B.B. King Entertainer: Buddy Guy
Koko Taylor Award: Ruthie  Foster
Band: The Derek Trucks Band
Best New Artist Debut: Matt  Hill, On the Floor
Song of the Year: Tom Hambridge/Buddy Guy, "Living  Proof"
Acoustic Album: The Nighthawks, Last Train to  Bluesville
Rock Blues Album: Kenny Wayne Shepherd Band featuring Hubert  Sumlin,
Willie "Big Eyes" Smith, Bryan Lee and Buddy Flett ; Live! In  Chicago
Historical Album: Bob Corritore & Friends, Harmonica  Blues
DVD: Luther Allison, "Songs from the  Road"
Instrumentalist-Guitar: Derek Trucks
Instrumentalist- Harmonica: Charlie Musselwhite
Pinetop Perkins Piano Player: Dr.  John
Instrumentalist-Drums: Cedric  Burnside
Instrumentalist-Horn: Eddie Shaw
Instrumentalist-Bass:  Bob Stroger
Instrumentalist-Other: Sonny  Rhodes

Congratulations to all winners and The Blues Foundation too!!
 

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DELTA BLUES MUSEUM BREALS GROUND ON MUDDY WATERS ADDITION

New wing to open in 2012 in downtown Clarksdale, Mississippi
The Delta Blues Museum Board of Trustees, in coordination with the City of Clarksdale, the Stovall Family and D. Carroll Construction, today broke ground on the Museum’s new wing, to be dedicated as the Muddy Waters Addition. Construction on the new wing will be complete by the end of 2011.
The Muddy Waters Addition, encompassing 7.000 square feet and set to open to the public in 2012, features a two-story wing that will house new permanent exhibits and will showcase the remains of the cabin from Stovall Farms, where McKinley Morganfield (aka Muddy Waters) grew up. Using the museum’s collection of artifacts, the new exhibits in the wing will feature the history of Clarksdale’s blues culture, as told by the musicians and the music they created. Museum Board of Directors President William Gresham thanked the design and construction teams as well as the Stovall family for their generous gift, saying, “The Muddy Waters Addition represents the museum’s ongoing commitment to our mission, honoring the history and heritage of Delta Blues music, musicians and their important influence.”
Since 1999, the Delta Blues Museum has been housed in the historic freight depot, located just across from Ground Zero Blues Club in downtown Clarksdale. The newest addition is designed to complement the depot structure, which was built in 1918 for the Yazoo and Mississippi Valley Railroad. The museum building was designated as a Landmark Property in 1996. Belinda Stewart Architects are the design lead for the new construction, which will cost $1.4 million. Museum Director Shelley Ritter oversees fundraising for the project, which is being supported by the Mississippi Arts Commission, the Mississippi Department of Archives and History, the Mississippi Department of Transportation, the City of Clarksdale, the Chisholm Foundation and private donors.
The Delta Blues Museum is dedicated to creating a welcoming place where visitors find meaning, value, and perspective by exploring evolution of the unique American musical art form of the blues. The City of Clarksdale, located at the intersection of Highways 61 and 49 (“the crossroads”), and the surrounding Delta region are known as “the land where the blues began”. Since its creation, the Delta Blues Museum has preserved, interpreted, and encouraged a deep interest in the story of the blues. Established in 1979 by the Carnegie Public Library Board of Trustees and re-organized as a stand-alone museum in 1999, the Delta Blues Museum is the state’s oldest music museum. The Delta Blues Museum Stage is adjacent to the museum classroom, which hosts a year-round music education program as well as lectures and symposia. The Delta Blues Museum Stage serves as the main venue for local festivals such as the Sunflower River Blues and Gospel Festival in August and the Juke Joint Festival in April.
(From Museum Publicity)

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Blues Grammy Winners!

It is always fascinating to see who makes the final nomination cut in the Grammy's
. For the most part the nominees are seasoned blues veterans, but this year's nominees also include a pop artist who crossed over for a one album project, and a youthful blues-rock guitarist who has included some seasoned blues veterans in his project.

AND THE WINNERS ARE...

 
Best Traditional Blues Album:
Pinetop Perkins & Willie "Big Eyes" Smith - Joined At the Hip


Best Contemporary Blues Album
Buddy Guy - Living Proof

There have also received an award Mavis Staples You Are Not Alone, as best Americana music album, Carolina Chocolate Drops Genuine Negro Jig as Best Traditioal Folk Album and Chubby Carrier & The Bayou Swamp Band Zydeco Junkie as Best Zydeco or Cajun album.

CONGRATULATIONS TO ALL WINNERS!!

Ganadores de los premios Grammy en la categoría Blues

Siempre es algo fascinante comprobar quienes son los nominados a los premios Grammy. En la mayoría de los casos los nominados son artistas veteranos y con gran experiencia en el blues, pero en los de este año también se incluye a una artista del mundo del pop que se ha pasado al blues para realizar un cd, y a un joven guitarrista de blues-rock que ha incluido algunos artistas veteranos y de gran nombre en el mundo del blues en su proyecto.

Y LOS GANADORES SON:

Mejor Álbum de Blues Tradicional
Pinetop Perkins & Willie "Big Eyes" Smith - Joined At the Hip

Mejor Álbum de Blues Contemporáneo
Buddy Guy - Living Proof

Tambien han sido premiados Mavis Staples You Are Not Alone, como mejor album de música Americana, Carolina Chocolate Drops Genuine Negro Jig como mejor album de Folk Tadicional y Chubby Carrier & The Bayou Swamp Band Zydeco Junkie como mejor álbum de música Zydeco o Cajun.

¡¡FELICIDADES A LOS GANADORES!!
 

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Good and welcomed news for all music lovers. MVD Entertainment announces just released new material which is now getting distribution.

MDV Entertainment Group, previously known as Music Video Distributors, was founded in 1986 by Tom Seaman. It acted primarily as a one-stop, buying all labels’ music-related VHS releases and reselling to music and video stores. Getting involved with DVD early, MVD called its strong relationship with content holders, labels, artists and management to become a world leader in music DVD.

In 2008, MVD expanded further and launched three major divisions: MVD Audio, MVD Visual and MVD Distribution.

MVD Audio handles exclusive distribution for audio content on CD. It has content agreements with several record labels as well as many independent artists.

MVD Visual specializes in producing, releasing, marketing and distributing music-related DVDs for worldwide. Thanks to an agressive marketing publicity, this division has released over 500 tittles and is currently one of the largest producers on music DVD all over the world. It also includes eclectic DVD, which features unusual, sometimes cult non-music DVD products.

Finally, MVD Distribution carries the best selection of the format in the world and further offers a very large selection of non-music DVDs.

MVD Distribution serves major chains, distributors, one-stops, online retail and independent retail.

Some of the latest new releases we have just received, now available on stores, are the following ones:

CD’s

The Michael Schenker Group “The 30th. Anniversary Concert-Live In Tokyo” Inakustik
Five high quality very professional musicians celebrating in a magnificent rock festival of rock the thirty years of their career with legendary songs and energetic wild guitar solos.

The Superbees “Top Of The Rocks” Acetate Records
As irresistible as ever, these rock monsters appear in this album that. Altough it includes a few songs, they shine at a very high level.

The Factory “The Factory” Acetate Records
Coming from Washington, The Factory ruthlessly shelled roll down ten songs in the most pure and orthodox punk-rock style, in the path of The New York Dolls and other similar bands.

Phil Manzanera “The Music 1972 – 2008” Expression Records (3 Cd’s)
In this triple cd you will find the best Phil Manzanera recordings he did between 1972 and 2008. It becomes an essential album for reluctant fans of Manzanera, John Cale, Brian Eno and other similar musicians.

Fred Shafer “Resistor” NorthView
Guitarist Fred Shafer surprises us with a balanced effective and good matched work, which becomes evident in every one of the twelve songs included in this exquisite "Resistor".

DVD’S

Eric Clapton “The 1960’s Review” Sexy Intellectual Production
Impressive document of Eric Clapton’s early years, with the Yardbirds, John Mayall, Cream and Blind Faith.

Pearl Jam “Under Review” Sexy Intellectual Production
Historical document of this amazing band, that will make your hair stand on end by the accurate content of the interviews included.

America’s Music Legacy “Country & Western” Quantum Leap / MVD Visual
One of the DVD volumes of America's Music Legacy collection gives us a glimpse into the most genuine and, at the same time, contemporary Country & Western, with different performances by Razzy Bailey, Eddie Dean, Patti Page, Moe Bandy, Terry Gregory or Jerry Lee Lewis among others.

Cactus “Live, Loud & Proud” MVD Visual
The DVD shows this great and historical band performing live in different cities, on tour between 2006 and 2007 with Carmine Appice, Tim Bogert and Jim McCarty, together with Savoy Brown’s singer Jimmy Kunes.

Eric Sardinas & Big Motor “Live” MVD Visual
Those who are familiar with guitarist and singer Eric Sardinas perfectly know whay you will find on this DVD. Pure dynamite of Delta rock-blues. Everything played with his electrifying, roaring, frenetic guitar and The powerful rhythm section of The Big Motor Band.

The Michael Schenker Group “The 30th. Anniversary Concert – Live In Tokyo” Inakustik
As just said, as the same thing as included on the double cd but, this time, in images. Impressive and overpowering guitar riffs and solos, those ones that leave a deep mark.

John Scofield “New Morning. The Paris Concert” Inakustik
One of the most influential important modern conceptual jazz song-writers and guitar players who successfully combines post-bop, funk edged jazz and r&b. A DVD specially devoted to the generation who are sons of Miles Davis.

America’s Music Legacy “Gospel” Quantum Leap / MVD Visual
From rhumba to jazz or ju-ju music, that to come out into Gospel. All can be found in this wonderful DVD, with different performances by The Winans, The Archers, Mahalia Jackson, The Chambers Family, Linda Hopkins and many more.

Brian Wilson “Songwriter 1962 – 1969” Sexy Intellectual Production
This DVD discovers the music and dreams of The Beach Boys and their leader Brian Wilson golden period. The DVD also includes different interviews with friends, managers, producers, musicians and other family.

Leonard Cohen’s “Lonesome Heroes” Pride Production
Fascinating microscopic vision of life, music and inspiration of one of the most attractive 'folk songsters' and poets of contemporary popular music, particularly influenced by the Beat Generation.

The Sacred Triangle “Bowie, Iggy & Lou 1971 – 1973” Sexy Intellectual Production.
This fascinating documentary film investigates the bright, artistic and productive era of these three pop music monsters who are David Bowie, Iggy Pop and Lou Red. The DVD also includes contributions from Angie Bowie, Billy Name of Andy Warhol’s Factory and many other people who had a close relationship with them during the early seventies.

As you may have noticed, the variety and quality of bands, musicians and genres that MVD publishes both in CD and DVD, is really impressive. Pop, rock, psychodelia, blues, gospel, jazz, glam rock, punk... A large and eclectic catalog that makes you be in real state and a terrific amazing showcase for all music consumers.

I invite you to visit their website, click on different catalogs and begin a surprising journey, without return.

MVD Entertainment is a reputed company with affordable prices for all budgets. Follow my advice and visit its site, buy their items and if your are not satisfied, complain!

www.mvdb2b.com

Vicente Zúmel 

Buenas y gratas noticias para todos los melómanos. MVD Entertainment Group nos anuncia nuevo material que acaba de editar y que ya está distribuyendo.

MVD Entertainment Group, previamente conocida como Music Video Distributors, fue fundada en 1986 por Tom Seaman. Inicialmente esta empresa se dedicaba a comprar videos en formato VHS que después revendía a las tiendas de discos. Con la aparición de los DVD’s la compañía creció sobremanera y se convirtió en una de las empresas lideres en música de todos los estilos.

En el año 2006 MVD realizó una ampliación de su negocio y formó tres divisiones de la misma empresa: MVD Audio, MVD Visual y MVD Distribución.

MVD Audio realiza la distribución exclusiva de música grabada en cd y tiene acuerdos con algunas de las compañías de discos más importantes y artistas independientes.

MVD Visual está especializada en producir, publicar y distribuir en cualquier rincón del mundo videos musicales. Gracias a una campaña muy agresiva, lleva ya publicados mas de 500 dvd’s que se distribuyen en los cinco continentes. También ha editado algunos dvd de música no comercial o de culto.

Finalmente MVD Distribution lleva todos estos productos a cualquier rincón del globo y ofrece asimismo una amplia selección de dvd’s no musicales.

Entre los clientes de MVD Entertainment se encuentran las mayores cadenas comerciales, algunas multinacionales y empresas independientes.

Algunas de las últimas novedades que acabamos de recibir de la firma y que ya están disponibles para todos vosotros, son las que a continuación se detallan:

CD’S

The Michael Schenker Group “The 30th. Anniversary Concert-Live In Tokyo” Inakustik (2 cd’s)
Cinco músicos de una enorme calidad musical y profesional celebrando en un magnifico festival de rock sus treinta años de carrera con legendarias canciones y furiosos y enérgicos solos de guitarra

The Superbees “Top Of The Rocks” Acetate Records
Tan irresistibles como siempre se nos muestran estos monstruos rockeros en este álbum con pocas canciones pero de inigualable talla

The Factory “The Factory” Acetate Records
Originales de Washington los Factory desgranan sin contemplaciones diez canciones en su más puro y ortodoxo estilo punk/rock en la línea de los New York Dolls y otras bandas similares

Phil Manzanera “The Music 1972 – 2008” Expression Records (3 Cd’s)
En este triple compacto encontrareis lo mejor de lo mejor que Phil Manzanera grabó entre 1972 y el 2008. Un álbum imprescindible para los fans de Manzanera, John Cale, Brian Eno y compañía.

Fred Shafer “Resistor” NorthView
El guitarrista Fred Shafer nos sorprende con un trabajo equilibrado, efectivo y bien trenzado en todas y cada una de las doce composiciones que nos brinda en este exquisito “Resistor”.

DVD’S

Eric Clapton “The 1960’s Review” Sexy Intellectual Production
Impresionante documento de los primeros años de Eric Clapton con los Yardbirds, John Mayall, Cream y Blind Faith.

Pearl Jam “Under Review” Sexy Intellectual Production
Histórico documento de esta extraordinaria banda que pone los pelos de punta por la veracidad de sus entrevistas.

America’s Music Legacy “Country & Western” Quantum Leap / MVD Visual
Dentro de la colección America’s Music Legacy este dvd nos muestra una pincelada del más genuino y al mismo tiempo moderno Country & Western, con actuaciones de Razzy Bailey, Eddie Dean, Patti Page, Moe Bandy, Terry Gregory o Jerry Lee Lewis entre otros

Cactus “Live, Loud & Proud” MVD Visual
El dvd nos muestra a esta formidable e histórica banda actuando de gira por diferentes ciudades, en un tour realizado en 2006 y 2007 con Carmine Appice, Tim Bogert y Jim McCarty y en colaboración con el cantante de Savoy Brown Jimmy Kunes.

Eric Sardinas & Big Motor “Live” MVD Visual
Los que conocéis la trayectoria del guitarrista y cantante Eric Sardinas ya sabéis a lo que os atenéis. Pura dinamita de rock/blues del Delta. Todo ello servido por su electrizante, rugiente y frenética guitarra y la poderosa sección de ritmo de los Big Motor.

The Michael Schenker Group “The 30th. Anniversary Concert – Live In Tokyo” Inakustik
Lo hemos comentado anteriormente, lo mismo que el doble cd pero, esta vez, en imágenes. Impresionantes y apabullantes riffs y solos de guitarra, de aquellos que dejan huella.

John Scofield “New Morning. The Paris Concert” Inakustik
Uno de los más influyentes e importantes compositores y guitarristas de jazz moderno y conceptual, que combina con acierto post-bop, funk edged jazz y r&b. Un dvd dedicado a la generación de los hijos de Miles Davis.

America’s Music Legacy “Gospel” Quantum Leap / MVD Visual
Desde la rumba, al jazz, pasando por la música ju-ju, hasta desembocar en el Gospel. Todo ello expresado en este magnifico dvd, con actuaciones de The Winans, The Archers, Mahalia Jackson, The Chambers Family, Linda Hopkins y muchos otros

Brian Wilson “Songwriter 1962 – 1969” Sexy Intellectual Production
Este dvd explora la música y los sueños de aquella época dorada de los Beach Boys y de su líder Brian Wilson. Asimismo el dvd contiene entrevistas con amigos, managers, productores, músicos y familia.

Leonard Cohen’s “Lonesome Heroes” Pride Production
Fascinante y microscópica visión de la vida, música e inspiración de uno de los más atractivos ‘folk songsters’ y poetas de la música contemporánea y popular, particularmente influenciado por la generación beat.

The Sacred Triangle “Bowie, Iggy & Lou 1971 – 1973” Sexy Intellectual Production
Este fascinante documental investiga la era brillante, artística y productiva de estos tres monstruos del pop que son David Bowie, Iggy Pop y Lou Red. El dvd contiene también contribuciones de Angie Bowie, Billy Name de la Factoría de Andy Warhol y muchos otros personajes relacionados con ellos durante los primeros años setenta.

Como podréis observar, la variedad y la calidad de las bandas, los músicos y los géneros que MVD va editando tanto en cd como en dvd, es francamente impresionante. Pop, rock, psicodelia, blues, gospel, jazz, glam rock, punk… Un catálogo amplio y ecléctico que pone los pelos de punta y un brutal y espeluznante escaparate para el consumidor de música.

Os invito a visitar su web, pinchar en sus catálogos y empezar un sorprendente viaje de ida, sin retorno.

 MVD Entertainment Group es una empresa seria, con unos precios muy asequibles para todos los bolsillos. Hacedme caso, decidíros a entrar en la web, comprar sus productos y si no quedáis satisfechos, ¡protestar!

www.mvdb2b.com

Vicente Zúmel

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Legendary Recording of Albert King and Stevie Ray Vaughan Finally Released
October 16th, 2010

In 1983, two of blues’ foremost musicians, Stevie Ray Vaughan and Albert King, met in a studio for the television series “In Session…”  It was never released and blues enthusiasts have been searching high and low for decent copies of the footage for years.  That changes now.  On November 6th, Stax Records is releasing a two-disc CD+DVD of the fabled event entitled…you guessed it…”In Session…”

Here’s the tracklisting:

En 1983, dos músicos de blues más importante, Stevie Ray Vaughan y Albert King, se reunieron en un estudio para la serie de televisión "En Sesión ..." Esta grabación nunca fue publicada y los aficionados al blues han estado buscándola por todas partes durante años y años. Finalmente esto ha cambiado. El próximo 6 de noviembre, Stax Records publicará un CD con dos discos + DVD del fabuloso evento titulado... seguro que lo has adivinado... "En Sesión..."
La lista de temas es la siguiente:

DVD

Act I
1. Introduction
2. Born Under a Bad Sign
3. Texas Flood
4. Call It Stormy Monday

Act II
5. Matchbox Blues
6. Pep Talk
7. Don’t Lie To Me
8. Who Is Stevie? [Unedited version]
9. Pride and Joy

The Finale
10. I’m Gonna Move To The Outskirts of Town
11. Outro

CD

1. Call It Stormy Monday
2. Old Times
3. Pride and Joy
4. Ask Me No Questions
5. Pep Talk
6. Blues At Sunrise
7. Turn It Over Overall Junction
8. Match Box Blues
9. Who Is Stevie?
10. Don’t Lie To Me

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BLUES
BLAST MUSIC AWARDS

2011 winners were announced at the awards ceremonies at Buddy Guy's Legends Thursday night in Chicago. Winners were chose by more than 6500 Blues Blast Magazine readers voting online. Congratulations to the winners and all the nominees

Contemporary Blues CD

Buddy Guy - Living Proof


Song Of The Year
Living Proof - Tom Hambrige & Buddy Guy

Female Blues Artist

Robin Rogers


Blues Band Of The Year

Trampled Under Foot


Traditional Blues CD

Pinetop Perkins & Willie "Big Eyes" Smith - Joined At The Hip


New Artist Debut Release

Chris O'Leary Band - Mr. Used to Be

Male Blues Artist
Buddy Guy


Sean Costello Rising Star Award

Trampled Under Foot
 

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201
0 BLUES MUSIC AWARDS WINNERS ANNOUNCED
The Blues Foundation announces the winneos of 2010 Blues Music Awards.
As they say "We will tell you the rest of the story soon, but we stayed up kind of late last night. Long after the Awards were over, the lobby of both the Cook Convention Center and the Memphis Marriott Downtown looked like the party was just getting started. The buzz, the vibe the night of good feelings. Congratulations to all winners, all nominees, all the stellar performers and to Buddy and Bonnie for making it even more special!!"

1. Acoustic Album - You Got to Move David Maxwell & Louisiana Red
2. Acoustic Artist - Louisiana Red
3. Album of the Year - Between a Rock and the Blues Joe Louis Walker
4. B.B. King Entertainer - Tommy Castro
5. Band of the Year - Tommy Castro Band
6. Best New Artist Debut - Tiger in Your Tank  Monkey Junk
7. Contemporary Blues Album - Hard Believer Tommy Castro
8. Contemporary Blues Female Artist - Ruthie Foster
9. Contemporary Blues Male Artist - Tommy Castro
10. DVD - Delmark Records - It Ain't Over! Delmark Celebrates 55 Years of Blues, Live at Buddy Guy's Legends
11. Historical Album - Chess - Authorized Bootleg -Muddy Waters Live
12. Bass - Bob Stroger
13. Drums - Cedric Burnside
14. Guitar - Derek Trucks
15. Harmonica - Jason Ricci
16. Horn - Deanna Bogart
17. Instrumentalist-Other - Buckwheat Zydeco (accordion)
18. Pinetop Perkins Piano Player - Eden Brent
19. Rock Blues Album - Already Free Derek Trucks Band
20. Song of the Year - "Pearl River" Cyril Neville & Mike Zito
21. Soul Blues Album - Ace of Spades - Johnny Rawls
22. Soul Blues Female Artist - Irma Thomas
23. Soul Blues Male Artist of the Year - Curtis Salgado
24. Traditional Blues Album - Chikadelic Super Chikan
25. Traditional Blues Female Artist - Debbie Davies
26. Traditional Blues Male Artist - Duke Robillard

GANADORES DE LOS PREMIOS "BLUES AWARDS" DE LA BLUES FOUNDATION
Sobre estas líneas se recoge la lista completa de los ganadores de los Blues AWards que anualmente concede la Blues Foundation. los nombres de los ganadores se hicieron públicos la noche del 6 de mayo. La entrega de los premios "Blues Awards" se celbró en el Cook Convention de Memphis. Artistas, representantes de industria y aficionados venidos de todo los cinco continentes han tenido la oportunidad de celebrar y reconocer a los mejores artistas y grabaciones de blues del 2009. Según manifestó Jay Sieleman presidente de la Blues Foundation, "el haber restringido muchas de las categorías ha hecho la votación de este año especialmente difícil, pero al mismo tiempo ha permitido afinar mucho en escoger lo mejor del 2009. Hemos reflexionado mucho durante el pasado verano pero creo que hemos nominado a los artistas y grabaciones mas representativos de los mejor del 2009. Espero que todos los aficionados incluyan a todos los nominados entre sus preferencias a la hora de adquirir sus grabaciones".
Prácticamente todos los nominados asistieron a la ceremonia de entrega de premios, por lo que sobran los comentarios. Sólo decir que es una de las mejores experiencias del año, donde los afortunados que pudieron asistir tuvieron la ocasión de ver lo mejor del blues reunido en una sola noche. Esta trigésima edición de los Blues Music Awards ha sido considerada como la mejor jamás celebrada hasta ahora. Los miembros de la Blues Foundation son quienes con su voto escogen a los ganadores y tienen además el privilegio de asistir a la ceremonia en un lugar preferente. Los Blues Music Awards de la Blues Foundation son reconocidos como el honor más alto que un musico de blues puede recibir a lo largo de su carrera. Este año el patrocinio ha contado con la casa Gibson,
Arts Memphis, BMI, Casey Family Programs, Eagle Rock Entertainment, FedEx, Legendary Rhythm & Blues Cruise, Memphis Convention and Visitors Bureau, the Sierra Nevada Brewing Company, y The Tennessee Arts Commission.

¡Emhorabuena a todos los ganadores!

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Southwest Musical Arts Foundation to release a compilation of Phoenix Blues from the 1950s and 60s! Though Phoenix is not often celebrated as a town with a rich blues history, there was and is currently a substantial black community and great music scene happening. Southwest Musical Arts Foundation will release a testment to that fact with a limited edition, collectors issue titled "Flyin' High, A Collection Of  Phoenix Blues, Rhythm, and Spirit from the 1950's and 60's". The CD's 27 tracks include Big Pete Pearson's first recordings, Reverend Louis Overstreet, J.C. Arline, The Lone Wolf, Duke Draper, Maxine Johnson, John "Oklahoma Zeke" Lewis, Dumas King, Roosevelt Nettles, Budd Spudd & The Sprouts, Jimmy Knight, Baby Jean, the Curtis Gray Combo, and more. Look for this release in early 2010. To see the cover art for Flyin' High.

Big Pete Pearson

Fundación SouthWest de las Artes Musicales
Esta fundación tiene previsto publicar una recopilación del Blues de Phoenix de las décadas de 1950 y 1960. Aunque Phoenix a menudo no es considerada como una ciudad con una historia rica blues, existía y existe actualmente una numerosa comunidad afroamericana y una enorme y activa escena musical. La Fundación Southwest de las Artes Musicales lanzará primero un avance de esta coleccion con una edición limitada para coleccionistas coleccionistas titulada "Flyin 'High, A Collection Of Phoenix Blues, Rhythm and Spirit from de 1950's and 60's". Los CD's incluyen 27 temas con las primeras grabaciones de Big Pete Pearson, Reverend Louis Overstreet, J.C. Arline, The Lone Wolf, Duke Draper, Maxine Johnson, John "Oklahoma Zeke" Lewis, Dumas King, Roosevelt Nettles, Budd Spudd & The Sprouts, Jimmy Knight, Baby Jean o The Curtis Gray Combo entre otros. La publicación de esta colección esta prevista para el año 2010.

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NEW SON HOUSE BIIOGRAPHY.
Son House Bio To Be Published In 2010.
Guitarist/vocalist Son House was a powerful, impassioned performer and a pivotal figure in Delta Blues. University of Rochester professor Dan Beaumont has announced his forthcoming book, Preachin’ the Blues: The Life And Music Of Son House. This is the first full-length biography of Son House, and will be published by Oxford University Press in 2010. (September 2009)

NUEVA BIOGRAFIA DE SON HOUSE
Fecha prevista de publicación en 2010
El cantante y guitarrista Son House fue un apasionado y poderoso intérprete y una figura central del blues del Delta. Dan Beaumont, profesor de la Universidad de Rochester ha anunciado la publicación de su próximo libro
Preachin' the Blues : The Life And Music Of Son House. Esta es la primera biografía completa de Son House, y será publicado por Oxford University Press en 2010. (Septiembre 2009)

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NEW PAUL OLIVER BOOK
Barrelhouse Blues: Location Recording and the Early Traditions of the Blues
From Amazon Summary
Amazon summary
In the 1920s, Southern record companies ventured to cities like Dallas, Atlanta, and New Orleans, where they set up primitive recording equipment in makeshift studios. They brought in street singers, medicine show performers, pianists from the juke joints and barrelhouses. The music that circulated through Southern work camps, prison farms, and vaudeville shows would be lost to us if it hadn't been captured on location by these performers and recorders.
Eminent blues historian Paul Oliver uncovers these folk traditions and the circumstances under which they were recorded, rescuing the forefathers of the blues who were lost before they even had a chance to be heard. A careful excavation of the earliest recordings of the blues by one of its foremost experts, Barrelhouse Blues expands our definition of that most American style of music.
Product Details
* Hardcover: 240 pages
* Publisher: Basic Civitas Books (August 25, 2009)
* Language: English
* ISBN-10: 046500881X
* ISBN-13: 978-0465008810
* Product Dimensions: 8.4 x 5.6 x 1.1 inches
(September 2009)

NUEVO LIBRO de Paul Oliver
Barrelhouse Blues: Location Recording and the Early Traditions of the Blues Blues Barrelhouse.
Resumen de Amazon
En la década de 1920, las compañías discográficas del Sur se atrevieron a acercarse a ciudades como Dallas, Atlanta y Nueva Orleans, donde instalaron equipos portátiles de grabación en improvisados estudios de grabación. Desde allí grabaron a cantantes callejeros, a artistas y vendedores ambulantes de los 'minstrel shows' muestran la medicina, a pianistas de los 'juke-joints' y 'barrelhouses'. La música que se escuchaba y se interpretaba en los campos de trabajo del Sur, las granjas de prisión, y espectáculos de variedades, se hubiera perdido para todos nosotros de no haber sido registrada en estos lugares por los artistas y las personas que los grabaron.
Paul Oliver, eminente historiador de blues. nos descubre toda esa música tradicional, las circunstancias y condiciones en que fueron grabadas, rescatando a los antepasados del blues que desgraciadamente a menudo se perdieron antes de tener la oportunidad de ser escuchadas. Una cuidadosa exploracion de las primeras grabaciones de blues a cargo de uno de los mayores expertos en el tema. Barrelhouse Blues amplía la información sobre el estilo más genuino de la música americana

Detalles del producto
* Paperback: 240 páginas
* Editor: Basic Books Civitas (25 de agosto de 2009)
* Idioma: Inglés
* ISBN-10: 046500881X
* ISBN-13: 978-0465008810
* Medidas: 8,4 x 5,6 x 1,1 pulgadas
(Septiembre 2009)

 

 
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El Programa de Radio/The Blues Radio Show - La Programación/Playlist - Novedades Cds/Cds Received - Criticas de Discos/Actual Cd Reviews - Criticas Discos Antiguas/Old Cds Reviews - Reconocimientos/Show Aknowledgements - L
inks de Interés/Logo Links - Posters Blueseros/Blues Posters

Quien es Zúmel/Who is Zumel - Las Fotos/Blues Gallery - La "Harmonica Zúmel Blues Band"/The late "Harmonica Zúmel Blues Band" - La Sociedad de Blues de Barcelona S.B.B/Barcelona Blues Society SBB

Agenda de Conciertos/Blues Gigs Calendar - Las Noticias Nacionales/Spanish Blues News - Los Artículos/Articles  - Colaboraciones/Contributions - Las Entrevistas/National Interviews - Fotos Conciertos Blues/Blues Gigs Pictures - El Diccionario de Blues - El Vídeo del Mes/Monthly Recommended Video

Articulos Internacionales/International Articles
- Entrevistas desde USA/USA Interviews

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